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Digital divides? UK film council strategy and the digital screen network

机译:数字鸿沟?英国电影理事会战略和数字屏幕网络

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摘要

In retrospect it is easy to identify digital technology and the disruptive nature of the internet as two key factors shaping the broader screen landscape over the last decade or so, but how did organizations deal with that process at the time? This article examines the role that digitization and its wider ramification across the UK film industry’s patterns of distribution and exhibition played in both the strategic thinking and operational practice of the UK Film Council (UKFC) during its lifetime (2000 – 2011). It draws on interviews with key policy shapers and asks was the UKFC too slow to identify the transformative impact that digital would have on all areas of the film industry? By focusing on the origins and implementation of the Digital Screen Network is examines the impact of this programme on the UK film industry. It also offers insight into the organizational challenges of shaping digital film policy in an international industry.
机译:回顾过去,很容易将数字技术和互联网的破坏性识别为过去十年左右塑造更广阔的屏幕格局的两个关键因素,但是组织当时是如何处理这一过程的呢?本文探讨了数字化及其在英国电影业发行和放映模式中的广泛影响,在英国电影理事会(UKFC)成立期间(2000年至2011年)的战略思想和运营实践中所扮演的角色。它依靠对主要政策制定者的采访,并问UKFC是否太慢以至于无法确定数字化对电影业各个领域的变革影响?通过重点研究数字屏幕网络的起源和实施情况,研究了该计划对英国电影业的影响。它还提供了在国际行业中塑造数字电影政策的组织挑战的见解。

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  • 作者

    Boyle, Raymond;

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  • 年度 2015
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  • 原文格式 PDF
  • 正文语种 en
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